Tuesday, May 1, 2012

Easter Sunday 2012


READING BEFORE SERMON, EASTER SUNDAY 2012
taken from an essay by the late Rev. Suzanne Meyer, from when she was serving First UU Church, New Orleans

Lover of the quick profit, the annual raise,
vacation with pay. Want more
of everything ready made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.


This Easter I encourage you to practice resurrection. Note, I did not say, “believe in resurrection,” I said practice it! For the poet Wendell Berry, practicing resurrection doesn't refer to a metaphysical act or a theological proposition. For Berry, the art and science of resurrection is found in those countless disciplined acts of resistance to all of the forces in modern life that dehumanize, oppress, and reduce precious individuals to robots. Don’t let your mind be punched in a card and shut away in a little drawer -- wage a guerilla campaign on behalf of love, justice, and joy. Practice resurrection!

When they want you to buy something
they will call you. When they want you
to die for profit, they will let you know.
So, friends, every day do something
that won't compute. Love the Lord.


In the springtime, in the greening time, as life is renewed, we must renew our opposition to all the forces that crush the spirit, erode the soul, stifle freedom. We must place our hope in the things that endure. For this is eternal life. Berry says: “Invest in the millennium -- plant sequoias.” In what he calls his “Manifesto,” Berry encourages us to

Love the world. Work for nothing.
Take all you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.


Practicing resurrection means expanding the sense of self outward from the rather arbitrary borders of our own skins, becoming so large and expansive that death no longer has any dominion. Buddhist Joanna Macy writes: “The way we define and delimit the self is arbitrary.”

Berry shares Macy’s expanded sense of the self. His theology is juicy, erotic, rebellious, some would say mad. He is a heretic because he refuses to believe that resurrection was a one time only, one-person only event. We are the living dead buried under all of the flotsam and jetsam of modern living, seduced by the false promises of secular materialism. We are cut off from the earth, the soil, the humus, the natural cycles of life and death. Life is an innately spiritual experience; and we have lost touch with that. Much of Western religion has been necrophilic -- death loving, world renouncing. But we have it within ourselves to rise, to become biophilic -- life loving, world embracing. Resist! Refuse! Recycle! Resurrection happens! So practice resurrection. So ends the reading.

“Coming Back from the Dead” A Homily for Easter
by the Rev. Melanie Morel-Ensminger
First Unitarian Universalist Church of New Orleans
Sunday, April 8, 2012


There is a rather famous Easter story that is supposed to have occurred in a New England Universalist church some 60-odd years ago. One Easter Sunday, the choir was processing down the center aisle, singing an old Universalist hymn entitled, “Up From the Grave He Rose.” There was a hot air register in the middle of the aisle and the last soprano got her high heel caught in the grating. She kept on singing, stepped out of her shoe, and kept on walking. The man behind her, thinking he was doing her a favor, picked up the shoe -- and the whole grate came with it.

Nobody missed a beat. The man walked on with the shoe and the grate in his hand, and, still in tune and still in step, the man right behind him fell into the open register and dropped from sight. As the choir sang the final “Allelulia! He arose!” the congregation was startled -- to say the least -- when a shout came from the hole in the floor: “You'd better all be out of the way, because I'm coming up!”

I’m told that the man emerged from the netherworld of the crawl space, as the choir burst into the second Easter hymn, and the whole congregation cheered. Resurrection took place in a Universalist church that Easter, and everyone shared in it.

One of the biggest differences between Unitarian Universalists and our sisters and brothers of more traditional faiths, as Suzanne Meyer points out, is that most of them believe that resurrection was a one-time-only event for one-person-only, with the rest of us promised resurrection only after we die and only if we're good enough, while we religious liberals realize how often such events as rebirth and resurrection occur in each and every one of our lives. We all share in them.

The story of Jesus is not the earliest one we have of a godlike figure dying and rising again. It seems that humans have always needed to be reminded of the possibility and hope of renewal and that is why Easter-type stories of rebirth and resurrection are part of human religious history. (Interestingly, the majority of these early figures are female.) The first deity to die, enter the underworld, and return to the living was the Sumerian goddess Inanna, who was seeking answers and more power. The second was likely the Egyptian goddess Isis, who was seeking her lost love, Osiris. The ancient Greeks had Persephone, who either went willingly or was kidnapped, depending on which version of the myth you choose to go by. Our own name for this holiday, Easter, comes from the name of the Indo-European dawn goddess of the east whose special celebrations always took place at the vernal equinox. In different regions, she was known as Eostre, Astarte, Ashera, Aurora. (Another item of interest is the fact that many scholars believe the Jewish heroine-queen Esther whose holiday, Purim, is also celebrated at the spring equinox, is a manifestation of the Canaanite version of this same goddess.)

The rituals of the springtime dawn goddess varied with the culture and region, but usually included baskets of flowers and spring greenery, a dawn service, and baby animals such as lambs, goats, rabbits. Eggs, symbols of the goddess's sacred womb of rebirth and of the fertility of the spring season, were also part of the holiday in many places. Children were honored as embodiments of new life. (Stop me if any of this sounds familiar.)

Whether ancient peoples believed in the stories told about their various goddesses literally or metaphorically we will never really know, and it doesn't matter. We religious liberals in the 21st century are free to view them as useful and beautiful symbols, without fretting over historic or scientific accuracy, which is not the point anyway. Rebirth and resurrection are necessary to being human; they are needs from deep within us. We especially seem to feel it at this time of year.

Spring itself feels like a rebirth and resurrection of our earth, the Japanese magnolias and redbuds and forsythias and all the soft new green, lifting our spirits with their beauty and their scent (even when they also irritate our sinuses).

•There's the rebirth and resurrection of finding a religious home where you can be yourself, with all your doubts and questions and life experiences, after you had given up hope that there could be a church for you.
•There's the rebirth and resurrection of finding love when you feel you didn't “earn” it or that you don't “deserve” it. (It's lucky for all of us that love isn’t apportioned that way, because so few of us would get any.)
•There's the rebirth and resurrection of rising again after dealing with addictions and substance abuse, and discovering you can go, one day at a time, into a life of sobriety.
•There’s the rebirth and resurrection of finding a way to keep on keeping on after a tragedy or disaster. (Now, there’s a resurrection First Churchers and other New Orleanians know about first-hand!)
•There's the rebirth and resurrection of finding friends when you need them the most, when an illness or a death or a catastrophe has put you in the tomb-like darkness of despair and alienation. All of these rebirths and resurrections can be celebrated as signs that renewal is always possible, even in a world like ours, dominated by death and tragedy and cynicism and pain.


In Rev. Suzanne’s essay, poet Wendell Berry reminds us that the forces of the tomb are always out there, ready to lay to rest all the mystery and juice and beauty of life in exchange for the mess of pottage that is secular materialism. Believing in rebirth and resurrection means placing our hopes in what endures: love, compassion, the things of the earth, the natural cycles of loss and return.

My colleague Maureen Killoran of our church in Asheville, North Carolina, writes that
[r]esurrection literally means "to rise again," to rise up from the ashes of destruction and, like the phoenix, set forth anew upon the path of life. Each of us, by virtue of being alive, has fallen. Resurrection means to come back from those deaths both large and small, our times of imprisonment in the tomb of the soul. Resurrection means to triumph over opposition, and each of us has, at one time or another, faced [our] fear and moved beyond.


For us as religious liberals, coming back from the dead does not occur when an angel, or some other supernatural being, appears after 3 days or 3 weeks or 3 years to roll away the stones upon our hearts. We come back from the dead when courage and hope reach through our despair and pain; we come back from the dead when we engage the world not as a threat, not as a monster, not even as a necessary evil, but as a delightful challenge. We come back from the dead when we are realistic about what we can accomplish and yet let our sense of mirth and play help us to determine where to draw the line.

On this beautiful Easter day, I invite you to take a moment to reflect on the times in your life when you have been in the dark of the tomb of the soul. It may have been a disappointment so great that you tried to insulate yourself from the world. Or it may have been a loss of someone or something so beloved that you felt abandoned and alone. Whatever it was, each one of us has felt it -- that feeling of fear, dark and cold, like being shut away in a tomb.

From there, I ask you to remember what it was that brought you "back from the dead" -- the person or community that supported, comforted, and encouraged you, who made you feel alive once more. Something or someone came to us when we were locked in a cave in our souls and rolled away the stone, revealing a deeper dimension of hope and connection. This Easter, I encourage you to practice rebirth and resurrection by recalling to mind your own times of hopeful renewal.

Rebirth and resurrection -- they're not unique, legendary, supernatural events, but the stuff of life, your life and mine. And there may be no better time to contemplate all that renews and returns than glorious Springtime. May this Eastertide find us heartened and challenged by our own times of rebirth and resurrection in the midst of the darkness of our times: deception, meaningless, materialism, despair. May we daily find the miracles of hope we need to truly live, instead of merely surviving. So might this be! AMEN –ASHE – SHALOM – SALAAM – NAMASTE – BLESSED BE.

Jazz Fest Service: "Rhythm Saved the World"


A Service by The Reverend Melanie Morel-Ensminger
First Unitarian Universalist Church of New Orleans
Sunday, April 29, 2012

“Rhythm Saved the World” 
According to Pops Armstrong, rhythm has played a part in all justice movements, going back to Joshua’s trumpet at Jericho.  In honor of the New Orleans Jazz & Heritage Festival this weekend, this service pulls some hymns out of our UU hymnals and looks at how they came to be written during what great social  justice movement in history. 

Some of what you learn today you might already know, but other information may be new to you.  Either way, knowing how these songs were first used and what they originally meant will enrich our experience of them.  We on the Worship Team hope you enjoy this service and that it sends you off to  Jazz Fest in the right spirit.  (And if you’re not going to Jazz Fest today, that it gives you a great musical feeling anyway.)

“Bread and Roses”
The slogan "Bread and Roses" originated in a poem of that name by James Oppenheim, published in The American Magazine in December 1911, which attributed it to "the women in the West." It is commonly associated with a textile strike in Lawrence, Massachusetts during January–March 1912, now often known as the "Bread and Roses strike".
The 1912 Lawrence Textile Strike, which united dozens of immigrant communities under the leadership of the Industrial Workers of the World, was led to a large extent by women. The popular mythology of the strike includes signs being carried by women reading "We want bread, but we want roses, too!", though the image is probably ahistorical.
A 1915 labor anthology, The Cry for Justice: An Anthology of the Literature of Social Protest by Upton Sinclair, is the first known source to attribute the phrase to the Lawrence strikers.  A republication of Oppenheim's poem in 1912, following the strike, attributed it to "Chicago Women Trade Unionists". To circumvent an injunction against loitering in front of the mills, the strikers formed the first moving picket line in the US.[3][4]
The strike was settled on March 14, 1912 on terms generally favorable to the workers. The workers won pay increases, time-and-a-quarter pay for overtime, and a promise of no discrimination against strikers.
The slogan appeals for both fair wages and dignified conditions.

“Spirit of Life”
As a UU World magazine article put it back in 2007, ‘Spirit of Life” holds a unique place in the spiritual lives of UUs around the world.  In six short lines “Spirit of Life” touches so much that is central to our faith—compassion, justice, community, freedom, reverence for nature, and the mystery of life. It finds the common ground held by humanists and theists, pagans and Christians, Buddhists and Jews, gay and straight among us.
Written in the early 1980’s, by feminist and UU sympathizer Carolyn McDade, it was inspired by a late-night meeting at a college over solidarity with oppressed people in Central America.  She scribbled the words and a simple melody line on a piece of paper, and gave copies of it to be used in mimeographed songbooks for women’s groups and groups  working for justice.  It circulated that way for years, and in the early ‘90’s, the UU Hymnbook Commission asked permission to include it in what we know now as the gray hymnal.  At First, McDade didn’t want it to be printed as a hymn, because she didn’t think of it as a hymn.  But the commission members told her that if “Spirit of Life” was not in the new hymnal, they feared they would all be killed by angry UUs!  She relented and it was enshrined as #123, perhaps the best-known and most beloved of all UU songs.

“We Shall Overcome”
“We Shall Overcome” began its life as an early gospel, originally called “I’ll Overcome Someday,” written by African-American composer Charles Albert Tindley in 1901.  It underwent a slight transformation in lyrics at the famous training school for labor and civil rights activists, Highlander Folk School in Monteagle, Tennessee, where my father trained before World War II and where Rosa Parks and Martin Luther King, Jr. later attended.  At Highlander, Zilphia Horton, wife of Highlander co-founder Myles Horton, who was serving as Highlander’s music director (don’t you find it interesting that a social justice training center had to have a music director?), reworked the hymn for use by organizers, with help from Highlander alum Pete Seeger  and others.  It was published in 1947 as “We Will Overcome” by Pete Seeger’s People's Songs. 
The song was taught to countless organizers, who brought the song to countless other people. The Highlander version was first recorded by folk singer Joe Glazer, in 1950.  It quickly became the civil rights movement's unofficial anthem.
There is a story that is told about a Unitarian summer camp at Highlander that was raided late one night by the Tennessee State Police.  As the frightened youth and their counselors were rousted from their tents in the dark by angry state troupers, the story goes, one Unitarian girl began to quietly sing, “We are not afraid” and all the campers and the adult chaperones took it up.  And that is how that stanza came to be part of “We Shall Overcome.”  I do not know if that story is completely true.  I know there were Unitarian summer camps at Highlander, and I know that one night they were raided by state police.  I don’t know if a Unitarian girl began to sing – but I like to think that she did.
One of the most moving times I shared this song was during my 1998 trip to  India with the UUA Holdeen India Program, where a group of UUs took turns singing with a group of untouchable and lower caste workers organized by a Holdeen partner organization.  The UUs sang in English; the workers and organizers sang in Hindi, Marati, and Urdu, and I felt our group surrounded by a mighty cloud of witnesses of those justice-seekers who had sung the song before us and were spiritually singing it with us in the present.  It was a powerful moment.

 “Amazing Grace”
"Amazing Grace" is a Christian hymn with lyrics written by Englishman John Newton (1725–1807), published in 1779. With a message that forgiveness and redemption are possible regardless of the sins people commit and that the soul can be delivered from despair through the mercy of God, "Amazing Grace" is one of the most recognizable and most famous songs in the English-speaking world.
Newton wrote the words from personal experience. He grew up without any particular religious conviction but his life's path was formed by a variety of twists and coincidences that were often put into motion by his recalcitrant insubordination. He was pressed into the Royal Navy and became a sailor, eventually participating in the slave trade. One night a terrible storm battered his vessel so severely that he became frightened enough to call out to God for mercy, a moment that marked the beginning of his spiritual conversion. His career in slave trading lasted a few years more until he quit going to sea altogether and began studying theology.
Ordained in the Church of England in 1764, Newton became a pastor in  Buckinghamshire, where he began to write hymns with poet William Cowper. "Amazing Grace" was written to illustrate a sermon on New Year's Day of 1773. It is unknown if there was any music accompanying the verses, and it may have been chanted by the congregation without music. It has been associated with more than 20 melodies, but in 1835 it was joined to a tune named "New Britain" to which it is most frequently sung today.  It can also be sung to be the tune of “House of the Rising Sun,” as First Church has done many times in the past.

“I Heard the Bells”
"I Heard the Bells on Christmas Day" is a strange hybrid – it is an anti-war Christmas carol.  The original poem was written in 1864 by American poet and Unitarian Henry Wadsworth Longfellow during the Civil War.  The song tells of the narrator's despair, upon hearing Christmas bells, that "hate is strong and mocks the song of peace on earth, to all good will" and concludes with the bells carrying renewed hope for peace among humankind.
Longfellow's oldest son Charles joined the Union army without informing his father.  Longfellow found out by a letter dated March 14, 1863, after Charles had already left.  In November, Charles was severely wounded in Virginia.  Already grieving the recent loss of his wife Frances, Longfellow was inspired to write "I Heard the Bells" on Christmas Day in 1864.  It was not until 1872 that the poem is known to have been set to music.
It is not Christmas, but our country is at war yet again, and we need all the encouragement we can get toward hope for peace on earth, good will to all.

“We Are a Gentle,  Angry People”
Activist singer-songwriter Holly Near is the author of this song, listed on her albums as “Singing for Our Lives.”  She wrote the song in 1978, immediately after the horrific hate-crime killings of San Francisco  Mayor George Mosconi and Supervisor Harvey Milk.  Since then, it has been translated into many languages, new verses have been added, and it has been sung an uncountable protests and rallies.

“Steal Away”
Many if not most of what we now know as African-American spirituals had more than one purpose.  Of course, they are what they seem to be – religious songs, derived from hymns taught by slave masters or missionaries, based on stories and passages in the Bible.  But the songs also carried coded hidden messages about escaping to freedom, such as “Follow the Drinking Gourd” to follow the stars of the Big Dipper to freedom, and “Steal Away” and “Wade in the Water” to avoid the bloodhounds, and disguised gibes at slave holders, such as “Everybody Talkin’ ‘Bout Heaven Ain’t Going There” and “Let My People Go.”  
Under the guise of religious services and entertainment, the enslaved people were able to send each other signals about reaching freedom and what guides to look for.  They were empowering songs of hope and self-liberation in a time of despair and enslavement.

“Siyahamba”/”We Are Marching in the Light of God”
"Siyahamba" originated in South Africa, originally composed around 1950 by Andries van Tonder, an elder of Afrikaans Christian denomination; it was sung in this version in Afrikaans.
It was later translated into Zulu by Thabo Mkize, sometime during the 1960’s.  After that, it was used defiantly and joyously for anti-apartheid protests.
In the late 1970’s, a Swedish choral group heard the song being sung by a girls’ school in Natal.  The choral director recorded the song and transcribed it, and from there, “Siyahamba” went around the world.
It has been translated into many languages, and several denominations, including ours, have a version in their hymnals.  It is also used in schools internationally.
The first time I heard it sung at UUA General  Assembly, it brought tears to my eyes.  Let’s sing it with feeling, and put our bodies into it.
“If I Had a Hammer”
Pete Seeger and Lee Hays co-wrote the song in honor of Progressive political and social movements in 1949, and first performed it publicly on June 3, 1949 in New York City at a testimonial dinner for the leaders of the Communist Party of the United States, who were then on trial in federal court, charged with violating the Smith Act by advocating the overthrow of the U.S. government.  I guess you can figure why it didn’t become a big hit at that time and in that context.
In 1962, the song was covered by Peter, Paul and Mary and became a Top 10 hit.  It has since been recorded by dozens of other artists, in several languages.  To many people, it has become divorced from its origin as a protest/justice song, but remember the next time you sing it that it really is “the hammer of justice, the bell of freedom, and the song about the love between my brothers and my sisters all over this land.”